![]() Koike began working for Madhouse in 1986, doing in-between animation on Yoshiaki Kawajiri projects like Wicked City (1987) and Demon City Shinjuku (1988). ![]() The film appealed to fans who felt like their interests had been abandoned by the modern anime industry, while still entertaining those with zero interest in VHS-era classics.īut, as Daryl Surat wrote for Otaku USA Magazine, “It will most likely be the last anime movie made that is primarily hand-drawn animation, and it’s not painstakingly calculated to appeal to the Japanese otaku demographic at the expense of everybody else.” Unencumbered by production committees, full of vigor, style and purpose Redline was a labor of love, as this interview illustrates. Redline managed to combine the visceral ferocity of old-school Madhouse titles like Ninja Scroll with a modern style that felt as familiar and nostalgic as it was fresh and exciting. ![]()
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